Transnational Representations: The State of Taiwan Film in the 1960s and 1970s
Transnational Representations focuses on a neglected period in Taiwan film scholarship: the golden
age of the 1960s and 1970s, which saw innovations in plot, theme, and genre as directors highlighted the complexities of Taiwan’s position in the world. This cross-disciplinary study adopts a transnational approach which presents Taiwan’s film industry as one that is intertwined with that of mainland China. It also offers productive comparisons between Taiwan films and contemporary films elsewhere representing the politics of migration, and between the antecedents of new cinema movements and Taiwan New Cinema of the 1980s.
James Wicks is associate professor of literature and film studies at Point Loma Nazarene University, USA. He is a co-author of The Annotated Bibliography of Taiwan Film Studies (forthcoming).
Thèse de Jame Wicks :
OpenEdition vous propose de citer ce billet de la manière suivante :
Jacqueline Nivard (19 novembre 2014). Transnational Representations: The State of Taiwan Film in the 1960s and 1970s. ChinElectrodoc. Consulté le 18 janvier 2025 à l’adresse https://doi.org/10.58079/mqla
